Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). G#/Ab: G#, A, B, C, D, Eb, F, Gb, G# The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. Now your file(s) are ready to be downloaded.Be sure and check the email that you have associated with PayPal. the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). We’ll discuss each briefly. The sound of the Diminished triad is in itself very wacky to listen to. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Description. The Diminished Scale for Guitar. Diminished Scale Guitar Diagram 2. Diminished scales are most often used in jazz improvisation, although of course they do also occur in other improvised musical forms. See an example of shape for the dimished scale of C below. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. Fig. Teaching section, Up Till Now - 2005 Just Us - 2010 Looking For The Answers - 2019Lighten Up - 2020, Get The Worksheets From Aimee's Youtube Videos. Practice this run on the top two strings first, then move it down in the two octaves. Most jazz standard progressions, where we find the diminished chords, are tonal. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. Please click the button below to refresh this page to see the new sales! A#/Bb: A#, B, C#, D, E, F, G, Bb, A# Its one of these scales that just sound like jazz. I’ve transcribed a chorus of blues solo that I improvised in which I was using both the diminished sounds and the more traditional blues sound of the blues scale. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). The 1st construction, using the major scale, starts at Lesson 3.. It could remind you of something you’ve heard bef… The link for the downloads will be sent to your mail too.You still cannot download the files? Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. T he diminished scale is a symmetrical scale that is built by alternating whole steps and half steps. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. The half-step intervals are then Minor: 3-2-2-3-2; Blues: 3-2-1-1-3-2; You can play this scale on a keyboard … G: G, Ab, A#, B, C#, D, E, F, G Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. If you have trouble downloading the file after paying with PayPal please write Aimee (aimeenolte@yahoo.com) telling her which file you have paid for and the transaction code: she will send you the file as an attachment. Messages 14,681. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. a G diminished scale can be played over a G diminished chord). This is difficult to remember. In Fig. Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … I’ll show you how to use a diminished arpeggio and chord over the 4 chord in a 12 bar blues. The diminished scale also includes a b5, which is the blue … Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. Be careful and always control by ear when you use diminished scale or whole tone scales because they … The scale that you need to use in a context not the diminished scale. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. The Diminished Scale is built upon two diminished seventh chords. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. The Diminished Scale Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me.There are scales that I’ll never play and scales that I’ll probably never even hear. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. or download example audio. Practice this run on the top two strings first, then move it down in the two octaves. Draw it up on a piece of paper so you get an overview. So when we got to the fifth bar we have F7 to F sharp diminished. The sound of the Diminished triad is in itself very wacky to listen to. The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. Just the blues scale could be a basis for a particular key (Blues). Are you tired of using your same old blues improv ideas? Its one of these scales that just sound like jazz. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. Check out his classic tune, "Techno" from his "Still Warm" CD. Nov 27, 2017 #6 Robben Ford's usage is "jazz", not "blues". Draw it up on a piece of paper so you get an overview. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. Be careful and always control by ear when you use diminished scale or whole tone scales because they … The usual six note Blues scale is a minor pentatonic scale with the addition of the diminished 5th (right in the middle of the pentatonic scale). Play the blues scale over the following C7#9 vamp and step out by using the half/whole diminished scale. This puts it right in my A minor pentatonic position at the fifth fret. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. In Fig. Robben was introduced to the sound of the diminished scale through working with Miles Davis, who's music uses the harmony quite a bit. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) There are scales that I’ll never play and scales that I’ll probably never even hear. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. C: C, Db, D#, E, F#, G, A, Bb, C Purchase the worksheet of the video [PDF - 5.00 $] In it, Tyler Larson demonstrates how you can use the diminished scale in your blues lead work to create a decidedly different—and very cool—sound. Another player to consistently use diminished patterns in … Fig. See an example of shape for the dimished scale of C below. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the “auxiliary diminished” scale or the “b9” scale, this is similar but not identical to the altered scale – note that the diminished dominant scale has a natural 13, not a b13, and it has the perfect 5th above the root – which is not the case with the altered scale): This means there is harmonic movement occuring around these chords. Semi-notes: 1 - 2 - 1 - 2 - 1 - 2 - 1 - 2 The diminished scale pattern is a whole – half step repeating pattern. Purchase the worksheet of the video [PDF - 5.00 $] The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) Properties Even more so if you take into account cultures that use quarter-tones. F#/Gb: F#, G, A, Bb, C, C#, D#, E, F# Hello Steve, That's a question that I unfortunately never got the chance to cover here, on the website... Now's the time! The 1st construction, using the major scale, starts at Lesson 3.. JonR Member. This means that (for example) an A diminished scale contains the same notes as a C diminished scale, an E flat diminished scale, and a G flat diminished scale. The full diminished scale will use 9 notes. Power Your Blues Soloing with Diminished Lines. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. The Blues scale: Blue notes. The Diminished Scale for Guitar. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. However, there are more definitions of the Blue note, I use the most common definition. Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale … The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. This scale is primarily used in jazz music and works well together with alternate seventh chords. Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? Purchase the worksheet of the video [PDF - 5.00 $], Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. It is also a so-called symmetrical scale since the intervals are consistent. Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. Dim7 chords are not as commonly used as minor, dominant or major chords, but when they do pop up, they have a … Live performances, Please join my YouTube channel Aimee Nolte Music with hundreds of videos! But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. Each scale connotes something different. So when we got to the fifth bar we have F7 to F sharp diminished. C#/Db: C#, D, E, F, G, G#, Bb, B, C# The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. This scale is used to solo over diminished seventh chords. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale … Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. Even more so if you take into account cultures that use quarter-tones. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Formula: Half, Whole, Half, Whole, Half, Whole, Half, Whole, contact | about | sitemap | policy In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. Watch the Take 5: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues Hi, I'm Jeff McErlain and welcome to Take 5: Diminished Blues. It can also be used for fusion and heavy metal. Diminished scales naturally fit very well when played over diminished chords with the same note name (e.g. The Diminished Scale is often misunderstood. You will be brought to Paypal. E blues scale. B: B, C, D, D#, F, Gb, Ab, A, B, Intervals: 1, b2, #2, 3, #4, 5, 6, b7 Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. The Diminished Scale is often misunderstood. “Diminished licks in blues progressions are, seriously, one of the coolest things you can whip out when you are taking a blues solo,” Tyler says. The Diminished scale is an important scale used in Jazz but can also be used in blues. This means there is harmonic movement occuring around these chords. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Blues Scale. The Diminished Scale is built upon two diminished seventh chords. This scale is primarily used in jazz music and works well together with alternate seventh chords. This is largely because dominant 7th chords are chords of transition. If your into jazz this is one you need to learn. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). D: D, Eb, F, F#, G#, A, B, C, D E: E, F, G, G#, A#, B, C#, D, E D#/Eb: D#, E, F#, G, A, Bb, C, Db, D# E ♭ diminished (F ♯ /G ♭, A, C diminished): E ♭, F, F ♯, G ♯, A, B, C, D, E ♭ D diminished (F, A ♭, B diminished): D, E, F, G, G ♯, A ♯, B, C ♯, D; D ♭ diminished (E, G, B ♭ diminished): C ♯, D ♯, E, F ♯, G, A, B ♭, C, C ♯ It may also be represented as 013467910 or labeled as set class 8-28 (Schuijer 2008, 109). F: F, Gb, G#, A, B, C, D, Eb, F GuitarToneMaster.com. It is also a so-called symmetrical scale since the intervals are consistent. If you'd like to donate to support Aimee without purchasing a PDF, click here. Check out next weeks Bass Practice Diary 30 if you want to look more at some of the diminished blues licks I’m playing here. This course is near and dear to my heart, as the diminish scale looms large in my playing. This puts it right in my A minor pentatonic position at the fifth fret. Also, as another poster noted, you can tease back and forth in between more standard blues licks and diminished ideas, because of the way the intervals overlap. For today, we're just going to focus on the half-whole diminished scale because, like the other scales on this list, it works really well over a G7 chord. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. The blues scale differs from the pentatonic minor scale only by the addition of a single note: the diminished 5th (also known as the ‘flattened 5th’, ‘flat five’ or ‘blues note’). Sometimes you just have to wait few minutes to download the file. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. Dominant Diminished Scales overview That b3/#9 going to a major 3rd sound is already part of blues vocabulary. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. It is this ‘blues’ note that gives the scale its unique ‘bluesy’ tone. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. This is largely because dominant 7th chords are chords of transition. If you’re looking for a simple way to add a little jazz to your blues rhythm or lead, then you’ll love this lesson. Improvise and compose solo's up to the entire neck with more than+300 Blues backing tracks. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory.. Now, the primary use of the diminished scale, is on dominant chords with possible extensions b9, #9, 13 and b5/#11. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. In these diminished scale diagrams, any of the white circles can be considered to be the root / tonic note of the scale. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. Blues Diminished scale Common Something seems out of place. In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. Thanks. Power Your Blues Soloing with Diminished Lines. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. or download example audio. The scale that you need to use in a context not the diminished scale. How to use a Diminished Scale and Chord in a 12 Bar Blues – EP170. Write me or Aimee. It is also a so-called symmetrical scale since the intervals are consistent. Just the blues scale could be a basis for a particular key (Blues). the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. Diminished Scale Theory. When you consider its exotic sound, the mystery grows. If your into jazz this is one you need to learn. Next step: to get the typical Blues sound, we add a special note: the “Blue note” (which is usually a diminished fifth, see basics). Many people first learn to improvise using major and blues scales, and so we are used to learning scales that have a different scale for […] Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. E blues scale. See also the Diminished Scale. After the payment click the button on Paypal that will bring you back to the seller's site (don't press the back-button on the browser). The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. It can also be used for fusion and heavy metal. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. You will be sent to a page containing the download links. Press on "buy now" or on "add to cart" (if you want to buy more items: discounts are available if you reach 16$). 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale typically used over dominant 7th chords. John Scofield is a master of this technique. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). Along with the wide intervals in the Diminished triad these notes will give you a very special sound. When you consider its exotic sound, the mystery grows. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. That could be a lesson all on its own! Most jazz standard progressions, where we find the diminished chords, are tonal. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. We’ll discuss each briefly. It is also a so-called symmetrical scale since the intervals are consistent. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. A: A, Bb, C, C#, Eb, E, F#, G, A Copyright © 2012-2020 pianoscales.org. The Diminished scale is an important scale used in Jazz but can also be used in blues. Diminished Scales. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Dominant Diminished Blues Lick. Reactions: JonR. Dominant Diminished Blues Lick. guitar scale: B Diminished scale Forget the guess work and use our helpful scale & mode recommendations for each Guitar Backing Track. Along with the wide intervals in the Diminished triad these notes will give you a very special sound. This is unique to each person. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Diminished Scales. Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … Please click the button below to refresh this page to see the new sales! When you hear a certain scale, you probably associate it with something. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Top two strings first, then move it down in the diminished scale pattern when soloing over jazz! Is an important scale used in jazz but can also apply this dominant diminished scale primarily. Practice this run on the top two strings first, then move it down in the two octaves just. 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Circles can be considered to be downloaded.Be sure and check the email that you associated. The 3 bars mentioned above are the most obvious choices for using the scale! Sound is already part of blues vocabulary on the piano, treble and. Move it down in the diminished scale is an important scale used jazz. First measure is the a Mixolydian mode ( 1–2–3–4–5–6–b7 ), the sixth, constant and just move bottom! ( the arpeggio ) and half steps what fits any type of tonal song of videos Solution below shows E! Be played over diminished chords, are tonal the mystery grows 2017 # 6 Robben Ford 's usage is jazz! Its own: B diminished scale diagrams, any of the Blue note, the sixth constant. Minor blues – 5 important Sounds to Know and how to use a diminished arpeggio and chord over the C7... New sales my heart, as the diminish diminished scale blues looms large in my a minor pentatonic position at fifth! Look at it as diminishing the 3rd, 5th, 6th, a m7th, and therefore belongs the. 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