OPTIONS: Show cue speeches • Show full speeches # Act, Scene, Line (Click to see in context) Speech text: 1. 4h. I durst, my lord, to wager she is honest, Emilia is on at the Vaudeville Theatre till 15th June. I might do't as well i' the dark. 3 Monologues lesson plan 3. In the final monologue, Emilia movingly declares, ‘I hold in me a muscle memory of every woman who came before me and I will send more for those that will come after’; we are Emilia’s inheritors. O, are you come, Iago? HG: I loved that! At times it felt like I was watching a pantomime – and this is not to criticise at all – with clear goodies and baddies, direct address to the audience, and an appropriately rowdy audience response. Emilia Analysis . Amy, you told me that you saw Emilia in its first iteration. he lies to the heart:... Do thy worst: Plenty of women, such as women of colour, working class women, disabled women, lesbian/bi and trans women, have felt themselves excluded by the mainstream women’s movement and their activism risks getting erased by a linear narrative. ‘Emilia’ at Vaudeville Theatre. (Angela Weiss/AFP via Getty Images) “Then she went off and cobbled together things that [Daenerys] had said in the past that made sense. Choosing her history as a black Jewish woman is excellent, and the all women cast is an excellent idea because these women get to play such a wide range of characters, and because it flips the all-men early modern stage. I really like your point about how the production became a dialogue between the Globe space and its theatrical (and political?) My favorite play is Cymbeline. Jews across early modern Europe were being forced to convert to Christianity or be killed in various regimes, notably the Spanish Inquisition. what, ho! Find a monologue that fits you and your experiences. AB: Yes I’d love to! Emilia Clarke ad-libbed an entire Game of Thrones monologue in the fictional language of Valyrian during a pivotal Season 5 scene. that was my lady's voice. 1. That men must lay their murders on your neck. Essentially, the reality of Jewish life in Shakespeare’s Europe lends itself to very riveting, complex drama. 16. HG: Let’s talk about Emilia’s feminism. I will not charm my tongue; I am bound to speak: Report a problem. Emilia Clarke as Daenerys Targaryen in Game Of Thrones. Good madam, what's the matter with my lord? Some such squire he was About OSS, OPTIONS: Show cue speeches • Show full speeches. Yesterday was also the Jewish festival holiday, Purim, in which we perform the story of Esther with a very panto style. The anonymous writer of, “From Counsel to the Husband: To the Wife Instruction” believes the answer to maintaining a happy marriage is for both men and women to know and respect the role God has given them (279). Game of Thrones actor Kit Harington refused to reveal any spoilers from the show's final season, not even to his co-stars, in his debut Saturday Night Live (SNL) monologue. 'Tis proper I obey him, but not now.... Nay, lay thee down and roar; As Emilia hits the West End, Hannah Greenstreet and Amy Borsuk discuss its metatheatricality, its Jewish parallels, its role as feminist historical fiction, and more. That she was false: O, she was heavenly true! Do you think that’s a missed opportunity? My noble father, I do perceive here a divided duty: To you I am bound for life and education; My life and education both do learn me. HG: That’s really interesting. Out, and alas! Emilia will be playing at the Vaudeville Theatre from 8 March. Game Of Thrones star Emilia Clarke wraps up warm in white padded coat and beanie hat as she takes her dachshund Ted for a walk. 3. And even now, seeing that many women on stage at the West End to take a curtain call so joyfully was like a fist to the chest. Plays    O, the more angel she, 4. If you’re in your 40’s, don’t choose a monologue for a young ingenue. Hark, canst thou hear me? I think upon't, I think: I smell't: O villany!—... Good gentlemen, let me have leave to speak: Shakespeare Monologue: Emilia talking to Desdemona about men and their is a double standard. Emilia: Two Noble Kinsmen, IV.ii (I finally have enough of a [small] tech break to post monologues!) Emilia Clarke has some impressive knowledge of Valyrian. One more, and this the last. For your displeasure; but all will sure be well.... Pray you, come in; my lord, my lord! GRATIANO: He's gone, but his wife's kill'd. II,2,895. In Shakespeare’s play, Othello, the character Emilia is essential in exploring the theme of gender and the expectations placed on women. We do what we do because our husbands cause us to. She is also a playwright and has worked with Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company. Click here to find out more and to book tickets. This small monologue packs a punch. II,1,895. And Clare Perkins’ delivery of that final monologue is worthy of the standing ovation it receives. Clare Perkins is phenomenal, true, and she gets to dig deep into rage and passion here. Hannah is a writer, academic and theatre critic. It is up to you to decide how you play it. II,1,903 . [He runs at IAGO IAGO, from behind, stabs EMILIA, and exit] GRATIANO: The woman falls; sure, he hath kill'd his wife. You have little cause to say so. Test your knowledge on this literature quiz and compare your score to others. And yet, I also didn’t feel moved both at the Globe and here! Emilia The Play retweeted. Speeches (Lines) for Emilia in "Othello" Total: 103. print/save view. This particular line is prophetic in that Emilia’s testimony at the end of the play, relating to how Cassio came by the handkerchief, leads directly to Iago’s downfall. The narrative felt really sprawling and meandering at the Globe and here at the Vaudeville, thanks to edits and to this enclosed, amplified and electric space, the narrative could flow more cohesively and themes and motifs could be visually marked and underlined. 2. In a dialogue piece with Maddy Costa about Dance Nation and feminist theatre more generally, Rosemary Waugh describes feeling a ‘pang of guilt that I’m being a ‘bad feminist’ if I don’t like something I am ‘supposed to’’. AB: Yeah, it was enjoyable! The play ends in a spectacle of tragic violence: Emilia intercepts Othello after he’s murdered Desdemona and reveals Iago’s treachery. Don't miss your chance to experience this vital, energizing production in the next two weeks. This time, the focus will be on this exceptional woman who managed to outlive … He explains that Iago told him that Desdemona and Cassio were having an affair and that Cassio himself admitted it and had the handkerchief—the token of love Othello gave to Desdemona, passed down from his mother. done. In that collaboration by a team of women to realise something greater than the sum of its parts, in an auditorium of mainly women, standing on their feet, roaring. 2.00pm. Emilia helped Iago persuade Othello of Desdemona’s guilt, and while she cannot undo Desdemona’s death, she can at least bear witness to the truth of what really happened. That’s pretty special. My mistress here lies murder'd in her bed,—. Call'd Roderigo. This is because she tells of what she has experienced with her husband Iago, and what is bound to happen to her mistress Desdemona. and hell gnaw his bones! How do you, madam? Try the Edinburgh Fringe where audiences will appreciate the staging and the play's message. More info here. Emilia speaks with Desdemona about the nature of women’s affections READ MORE - PRO MEMBERS ONLY Join the StageAgent community to learn more about this monologue from Othello and unlock other amazing theatre resources! Thou art rash as fire, to say 3. The term could refer to many things: her skin colour, African origins, Muslim or Jewish faith, or a combination of these things. It is Friday 31 August, 2018. Updated: Apr 14, 2016. docx, 36 KB. Could not have laid such terms upon his callat. Deserves a longer run. O, fie upon them! But he has a point: given Shakespeare’s dominance over the western theatrical canon, he exerts a powerful influence, which is great to see physicalised onstage and shown to be fallible and a bit bumbling by Charity Wakefield. An incredibly powerful and thought provoking piece of theatre. Emilia dies hoping that her final bravery will redeem her previous silence and obedience: “So come my soul to bliss, as I speak true” (5.2. The world's a huge thing: it is a great price. Throughout most of the play, Iago has the upper hand in his interactions with his wife. Desdemona remembers a maid in her parents’ house who died of love, and sings a sad song that the maid had. Emilia is getting Desdemona ready for bed and the two are discussing whether they could ever cheat on their husbands. ", 10 Traits of Theatre-Making in the 21st Century, "There is no recipe": Cooking up community projects at Battersea Arts Centre, Remaking Musical Theatre's Misogynist History. Choose a monologue that is suitable for the role you want. This was followed in 2015 by another hit play at Hampstead Theatre, The Wasp, which also transferred to Trafalgar Studios.Other stage work includes commissions for the Old … Because it obviously moved many people in the audience. It is a memory, a dream, a feeling of her.” That’s as it should be for a piece of theatre that uses the past to speak to the present. For a small vice. For not having the right affective response? Concordance    Emilia is Iago’s wife. That I may speak with you, O, good my lord! Two Noble Kinsmen was a collaboration between Shakespeare and John Fletcher, and pretty much no one... Browse Monologues; Shakespeare Monologues. Advanced Search    I will bestow you where you shall have time... Good madam, do: I warrant it grieves my husband, The play ends in a spectacle of tragic violence: Emilia intercepts Othello after he’s murdered Desdemona and reveals Iago’s treachery. At times, it felt like the subtlety of the writing was sacrificed to display the relevance of Emilia’s story to contemporary concerns – for example characters talking about the xenophobia and racism of craftsmen fearing people coming over to take their jobs. The scene in which this monologue appears is a touching and tender interaction between the two women, Desdemona and Emilia. Emilia is perceptive and cynical, maybe as a result of her relationship with Iago. Could you say a bit more about what being Jewish meant in the early modern period – the production didn’t have (make?) Not really sure where I’m going with this…. What I wasn’t sure about was how much, literally, of the play they would keep, and it hadn’t even occurred to me that the physical space change would make a major difference. As we’re both PhD students, we are unashamedly leaning in to the ‘clever woman’ appellation. Was she really the Dark Lady of Shakespeare’s sonnets? Jews were made to be second class citizens wherever they went. HG: That’s fascinating – but almost completely unexplored in the play. Emilia Clarke is next-level bilingual. Created: Jan 22, 2014. For the same handkerchief? There’s a bit of discussion of privilege, and her allying with the workers is a gesture towards contemporary class solidarity. Emilia Learns—and Shares—the Truth . If he say so, may his pernicious soul 1 Monologues lesson plan 1. docx, 32 KB. “If they try to burn you, you can burn the f***ing house down” how do you, my good lady? Photo: Helen Murray. I have to admit though, I think that ended up detracting from the play’s impact, even if it does energise the audience to feel the feminist sentiment. Search for Monologues I'm looking for... Monologues; For a: From a: Type: Period: Type of monologue / Character is. AB: Yes! Why should he call her whore? Privacy policy. Hannah Greenstreet: I didn’t manage to see Emilia at the Globe last August. This deed of thine is no more worthy heaven... Thou hast not half that power to do me harm I am glad I have found this napkin: AB: The imagined linear narrative of progress is something I’ve been really fixated on as a common assumption in progressive Shakespeare theatre productions lately, and that speech definitely assumes that teleological path, as you say. And you the blacker devil! As Desdemona intends to follow Othello to the war, the latter requests that Emilia become his wife’s attendant. This video is unavailable. The play as a whole seems to be working with that progress narrative of history. These aren't the most uplifting messages. This is a masterful piece of writing. By Brian Gallagher For Dailymail.com. Watch Queue Queue O gull! Wow. Some busy and insinuating rogue,... A halter pardon him! Their love is strong right until this end, even as she is dying, in her final heroic moment, Desdemona refuses to accuse her husband of any wrongdoing. You shall not write my praise. 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