The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh. tutorial. Notice the first half of the scale is diminished and the second half is whole-tone. G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. In this article, I go over the C whole tone scale, the chords that can be built from the notes and practical application of the scale when playing leads. fellow guitar players! Whole Tone Scale This scale works of Dominant 7#5 chords or can be used to create tension in other environments too - it's a fun one to explore and has angular geometric patterns on the neck which can make for fun trippy exploration! they are playing. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. position. Remember that every other note of the scale builds the same chords. Minor scales – do use use dorian? Donations will allow me to pay my bills and provide you with great content. It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. All open chords for every chord type in every key. This stands for whole step, whole step, half step, whole step, whole step, whole step half step. E: E+, E7#5, E9#5 Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. These maps show you the tones in a chord all along the fretboard. Apps, How to read Ab (or G#): Ab7♭5, Ab9♭5, A♭9♭5♭13 Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You music for Besides a #5, a whole tone scale also uses a … If you ask most educators or look in a number of jazz theory books, they will tell you to play an “altered scale” over this chord. I used some of his licks and made some tweaks of my own. Big list of common triads and four note chords of the scale B Whole Tone #'S Find guitar scales using graphic interface. Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 So, it will also work with chords like this; C9 , C9#5 , and even a chord like C7#11. You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. For some nice licks, check out the Jamie Holroyd Guitar website article on the whole tone scale. I suggest that the major ♭5 chord is the base of 7♭5 chords. because allow you to: In the new ebook, Chords and server bills But that chord also resolves up a whole step nicely: C7♭5 to D and G♭7♭5 to A♭. The add#11 is a nice dissonant chord. all C whole tone scale = C-D-E-F#-G#-A#. I chose E for the augmented 7ths and 7♭5’s as a substitute for E7 chords for songs in the key of A major or A minor. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. Start A major scale is formed with the formula W-W-H-W-W-W-H. ~ quote by Kernix. If you need help in reading the diagrams on this page, check the How to read C9♭5♭13 = C–E–G♭–B♭–D–A♭ = 1–3–♭5–♭7–9–♭13. I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. Every note in the whole tone scale can act as the tonic of the scale. Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. Chords created by this scale (C whole tone): C7#5, C7b5, C9, C9#5, C9b5, C7#5(#11). Since 2013, FaChords Guitar has grown a lot (12.000 subscribers and counting!) Scales are usually compared to the Major Scale to find the intervals used, but because the Whole Tone Scale has 6 notes (Major Scale has only 7) it makes better sense to just look at it intervallically. And finally, it’s common to hear the whole tone scale in movies and TV shows during fantasy, flashbacks or dream scenes. In that article, I include songs that use the aug triad. A♭ (or G#): Ab+, A♭7#5, A♭9#5 Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). Dominant 9th chords with raised 5ths are really weird but believe it or not, I have run across them in charts before. Beach Boys: I Just Wasn’t Made For These Times, Orange Crate Art (also has a 9#5 chord) To learn more about scales, check our complete guide on How to play guitar The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. music for It may not be something you like, but you won’t know until you give them a try. I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). And from Vol II: Jim Crow Blues page 21, I’m Certainly Living A Ragtime Life page 37, Bill Bailey page 73. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference … It’s direct application would be on augmented chords, That is, any chord with a raised fifth degree. The scale formula is W-W-W-W-W where “W” stands for whole tone. Gb (or F#): Gb7♭5, Gb9♭5, G♭9♭5♭13 E: E7♭5, E9b5, E9♭5♭13 There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. The altered scale. Note that the 9#5 chord is equal to the 9♭5hord on the ♭7, e.g. scales Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. So a C9♭5♭13 chord (all the notes in a C WT scale) resolves to D♭, E♭, F, G, A, & B (all the notes in a D♭ WT scale!). Beach Boys: 7♭5 in When I Grow Up, 9♭5 in Orange Crate Art. No one knows what to call that second “chord” type, but I like maj ♭5. (Guitar Technique). I also list examples of songs that use chords from the whole tone scale and I include augmented 7th and 7♭5 guitar chord shapes, both closed and open chords in the key of E. The whole tone scale is a unique and difficult scale for beginner guitar players. To me its a interesting scale that should be used sparingly for variety in your playing. This scale can also be referred to as the diminished whole-tone scale (in that it begins with the half-whole diminished scale and ends with the whole-tone scale): Most people think of using the whole tone scale for augmented chords, but you can build 7♭5 chords from the whole tone scale as well. There are some scales like the Altered scale where you have an option of a major or minor 3rd and diminished or augmented 5th. Try arpeggiating an augmented triad on the last V7 chord in a blues turnaround. 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. B♭ (or A#): B♭+, B♭7#5, B♭9#5. A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. tones, note names, and finger I assume the maj ♭5 chord is similar given the option of the IV in a major key. C9♭5 = D9#5. Beatles: From Me To You We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. This altered scale is sometimes referred to as a diminished whole-tone scale (it’s part half-whole diminished scale and part whole-tone scale) and is also the melodic minor scale starting on the 7th note (in G7, an Ab melodic minor scale). 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